Early in movie history, many films used camera angles and shots that had been developed in comic strips, and it’s easy to see why. Sloppy editing, distracting background action, bland visuals, and even bad acting can all be the result of failing to draw a storyboard.Ī storyboard is like a cartoon of the film. Creating a storyboard takes little time and energy, but the results can be clearly seen in the finished product. Sometimes, the person making the movie may even forget some details they had wished to include. A moviemaker who hasn’t planned well in the early stages of the film may not adapt as well to problems as if they had made storyboards. Once filming begins, however, small details can add up into big problems. Considering the length of each shot, when to cut, and what the next scene will depict all give the director greater control over shooting the film.Įach of these things may seem like something that can be puzzled out while shooting the video or simply too insignificant to worry about. Where to cut in a film can create dramatic tension or emphasize a joke. Storyboards can show the intended pan, tilt, or zoom of a camera, leaving the director with one less decision to worry about while filming. The motion of actors should be part of the storyboards so that both actors and directors clearly understand what the action of the scene will be. Unlike in a play, the person making the film has the ability to change focus to direct the viewer’s eye. Where are the actors in relation to each other? Who or what should be in focus, and does the focus change? Just like in a play, the scenes of a short film must be laid out to prevent actors from blocking one another or covering up important elements of the scene. Provide blocking and focus information.What should be depicted on the video, and where should the borders of the shot be located? The framing of a shot can lead the viewer’s eye to a specific place, emphasize colors or shapes, and otherwise provide visual information to accentuate the action.
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